Latest – Page 9
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Reviews
‘Afternoons Of Solitude’: San Sebastian Review
Albert Serra’s immersive, unflinching documentary follows Peruvian bullfighter Andrés Roca Rey
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Reviews
‘On Falling’: San Sebastian Review
A Portugese factory worker in Scotland struggles to make a connection in this effective debut
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Reviews
‘When Fall Is Coming’: San Sebastián Review
Francois Ozon is in fine fettle for this later-life puzzle piece starring Helene Vincent
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Reviews
‘Emmanuelle’: San Sebastian Review
Audrey Diwan presents a ‘paralysingly pointless’ update of the 70s soft-porn figure
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Reviews
‘They Will Be Dust’: Toronto Review
Toronto Platform winner is a dance about death and a suicide pact between a theatrical couple
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Reviews
‘The Return’: Toronto Review
Ralph Fiennes and Juliette Binoche reunite for this restrained retelling of Homer’s Odyssey
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Reviews
‘The Time It Takes’: Venice Review
Francesca Comencini’s autobiographical drama explores her relationship with her filmmaker father Luigi
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Reviews
‘Love’: Venice Review
Second part of a trilogy from Norway which began at Berlin with ‘Sex’ and continues at Venice
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Reviews
‘William Tell’: Toronto Review
Claes Bang takes aim at the the legendary Swiss marksman in Nick Hamm’s dour period epic
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Reviews
‘Sicilian Lessons’: Venice Review
An ex-politician goes undercover in this Sicilian mob comedy which fails to hit the target
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Reviews
‘April’: Venice Review
An doctor in rural Georgia risks herself to care for her female patients in Dea Kulumbegashvili’s Venice Jury Prize-winning feature
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Reviews
‘Diva Futura’: Venice Review
Rich, lengthy biopic explores the life and work of Italian pornographer Riccardo Schicchi
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Reviews
‘My Birthday’: Venice Review
Raw debut from Italy from Biennale College follows a young man trying to find his estranged mother on the eve of his 18th birthday
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Reviews
‘The Quiet Son’: Venice Review
A solid Vincent Lindon dominates this disappointingly apolitical film about a French youth enthralled by the far right
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Reviews
‘Queer’: Venice Review
Daniel Craig cruises 1950s Mexico in Luca Guadagnino’s adaptation of the William S Burroughs novella
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Reviews
‘Finally’: Venice Review
The 51st feature from French maestro Claude Lelouch is a playful ‘greatest hits’ musical fable
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Reviews
‘The Room Next Door’: Venice Review
Pedro Almodóvar’s Golden Lion winner is also his English-language debut starring Tilda Swinton and Julianne Moore
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Reviews
‘The Mohican’: Venice Review
An unassuming Corsican goatherd becomes the figurehead of a resistance movement in this assured thriller
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Reviews
‘The New Year That Never Came’: Venice Review
The fall of Romanian leader Nicolae Ceausescu is explored in this 1989-set debut which won the top Horizons prize at Venice
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Reviews
‘Vermiglio’: Venice Review
Maura Delpero’s second feature is an accomplished, restrained family drama set in the Italian Alps during the Second World War