Latest – Page 10
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Reviews
‘Anywhere Anytime’: Venice Review
The theft of a bicycle is the catalyst for this confident, incisive drama about a Sengalese immigrant in Italy
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Reviews
‘Battleground’: Venice Review
Gianni Amelio explores the moral complications of conflict in this hospital-set First World War drama
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Reviews
‘My Everything’: Venice Review
Call My Agent!’s Laure Calamy stars in Anne-Sophie Bailly’s well-acted if one-sided debut feature
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Reviews
‘And Their Children After Them’: Venice Review
Small town in France, bad teenage decisions for the third feature by the Boukherma twins
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Reviews
‘Peacock’: Venice Review
Albrecht Schuch headlines this assured Austrian debut as a paid companion whose facade starts to crumble
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Reviews
‘Vittoria’: Venice Review
A working-class Naples mother dreams of adding to her family in this affecting and very real drama
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Reviews
‘Three Friends’: Venice Review
Emmanuel Mouret delivers a knotty Lyon-set romantic drama starring Camille Cottin
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Reviews
‘Nineteen’: Venice Review
Luca Guadagnino produces this limber coming of age debut about a 19-year-old Italian literary student
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Reviews
‘Quiet Life’: Venice Review
A Russian family seeking asylum in Sweden face the unexpected in this unsettling drama
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Reviews
‘September 5’: Venice Review
Peter Sarsgaard stars in this tense newsroom drama set during the 1972 Munich Olympics
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Reviews
’Riefenstahl’: Venice Review
Clear-eyed portrait of Third Reich German filmmaker Leni Riefenstahl and her post-War attempts to rehabilitate her image
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Reviews
‘Feeling Better’: Venice Review
Italian actor-turned-director Valerio Mastandrea imagines the rich internal life of coma patients in this hit-and-miss comedy
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Reviews
‘Dwelling Among The Gods’: Sarajevo Review
Vuk Rsumovic follows up Venice Critics Week winner ’No One’s Child’ with this sober Serbia-set refugee drama
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Reviews
‘Mother Mara’: Sarajevo Review
Serbia’s Mirjana Karanovic directs and stars as a woman redefining herself after the death of her only son
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Reviews
‘At The Door Of The House, Who Will Come Knocking’: Sarajevo Review
Maja Novakovic’s award-winning documentary is an enigmatic portrait of life in rural Bosnia and Herzegovina
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Reviews
‘Dad’s Lullaby’: Sarajevo Review
The impact of the war in Ukraine is felt through the experiences of a single family in this debut documentary
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Reviews
’Lilies Not For Me’: Edinburgh Review
Fionn O’Shea is a gay novelist struggling with the homophobia of 1920s England in this surprisingly staid period debut
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Reviews
‘Holy Electricity’: Sarajevo Review
Colourful, uneven Georgian debut explores the city of Tbilisi through the exploits of two door-to-door salesmen
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Reviews
‘Family Therapy’: Sarajevo Review
A glass house in a Slovenian forest plays host to Sonia Prosenc’s satire of the nouveau riche
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Reviews
‘Mexico 86’: Locarno Review
Bérénice Béjo stars as a Guatemalan activist exiled to Mexico who must rebuild her relationship with her 10-year-old son