Latest – Page 5
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Reviews
’Gen_’ review: A Milan hormone specialist treats fertility and gender issues
Observational doc plays Thessaloniki after a well-received Sundance premiere
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Reviews
‘That Summer In Paris’ review: Tender debut plays out as the city hosts the 2024 Olympics
Valentine Cadic’s drama premieres in Berlin’s Perspectives
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Reviews
‘Ready Or Not’ review: Irish rites-of-passage debut is lively and vital
The long days of summer turn increasingly dark for a group of teen girls in late ’90s Dublin
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Reviews
‘The Safe House’ review: Cluttered 1960s Paris-set chamber piece
Lionel Baier makes his first appearance in Berlin competition
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Reviews
‘Timestamp’ review: Doc is a powerful, fractured portrait of school days in Ukraine
Kateryna Gornostai returns to Berlin with this Competition title
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Reviews
‘Kontinental ’25’ review: Radu Jude returns after winning the Golden Bear
Berlin Competition title is a satirical state-of-the-world treatise
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Reviews
‘Dreams (Sex Love)’ review: Dag Johan Haugerud concludes his trilogy at Berlin
Sensitive coming-of-age story is a wisful end to the Norwegian auteur’s work
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Reviews
‘Mother’s Baby’ review: Postpartum stress under the lens in meticulous Berlin title
Marie Leuenberger gives a terrific performance in a drama that leans into horror
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Reviews
‘Two Times João Liberada’ review: Portuguese LGBTQ+ title is a niche debut
Paula Tomás Marques uses a fictional history to shed light on modern filmmaking conventions
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Reviews
‘Late Shift’ review: Leonie Benesch excels as a Swiss nurse under pressure
Petra Volpe’s tense hospital drama plays as a Berlin Special Gala
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Reviews
‘What Marielle Knows’ review: Stylish, sly German comedy starring Julia Jentsch
Sly laughs all round as a teenager gets the power to read her parents’ minds in Berlin Competition title
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Reviews
’We Believe You’ review: Tense Belgian family custody drama is a knockout
Miriam Akheddiou is at the heart of this debut by Charlotte Devillers and Arnaud Dufeys
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Reviews
‘Hysteria’ review: Tense German satirical thriller eyes breakout status
Mehmet Akif Büyükatalay follows up his debut hit ‘Oray’
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Reviews
‘All I Had Was Nothingness’ review: A powerful ‘Shoah’ through the eyes of its maker
40 years later, Guillame Ribot pairs unused footage with Claude Lanzmann’s words to show how the film was made
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Reviews
‘Reflection In A Dead Diamond’ review: Fast and frenetic movie geek nostalgia
Brussels-based Hélène Cattet and Bruno Forzani premiere their fourth film in Berlin competition
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Reviews
‘Islands’ review: Sam Riley, Stacy Martin scorch in Canary Islands suspense
Fuerteventura-set noir is the latest from Germany’s Jan-Ole Gerster
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Reviews
‘How To Be Normal’ review: Peppy debut from Austria tackles mental illness
Star Luisa-Celine Gaffron shines in Perspectives premiere
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Reviews
‘The Ice Tower’ review: Marion Cotillard stars in Lucile Hadzihalilovic’s Snow Queen re-take
Poised drama plays in Berlin’s Competition
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Reviews
‘Punching The World’ review: A fresh take on German radicalisation
Constanze Klaue’s Perspectives title is set in a small East German town post-reunification
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Reviews
‘Köln 75’ review: Lively re-staging of a 1975 jazz show is a showcase for actor Mala Emde
Diretor Ido Fluk’s gives Keith Jarrett’s legendary gig a rebellious rock energy